Amarra shares and draws on the work and technology from these professional applications. In 2004 Sonic Studio released a native OS X application Sonic Studio-DDP, followed in 2006 by PreMasterCD, and in 2007 by SoundBlade. Sonic’s NoNoise noise-reduction system received both an Oscar and an Emmy for technological achievement. Even today two out of every three commercially released CD titles are mastered using a Sonic Studio workstation. Its original “Sonic System” pioneered desktop delivery of Red Book CDs. Sonic Studio’s first products in the early 1980s were audio workstations for motion picture and recording studios. So where did Amarra come from? Basically it’s a consumer implementation of professional recording software developed by Sonic Studio. Plus it prevents snoring and eliminates back pains. If Amarra’s only function were preserving the integrity of higher-bit-rate music files it would already be a potentially invaluable sonic tool, but as they say on all those late-night infomercials, “There’s MORE!!!!” Amarra also has a powerful and sophisticated three-band almost infinitely variable parametric equalizer, as well as automatic resolution and bit-rate adjustments. With FireWire DACs, such as the Weiss Minerva, Amarra allows playback of 172kHz/24-bit and 192kHz/24-bit files. These shortcomings include automatic downsampling of higher-bit-rate music files (often to 44.1kHz/16-bit) and iTunes’ inability to support, process, and transmit bit-perfect versions of higher resolution files above 96kHz/24-bit. Amarra intends to preserve the best parts of iTunes-its database and ergonomic capabilities-and eliminate its sonic limitations. This eliminates sonic degradations caused by iTunes sound processing. According to its creators, Amarra bypasses all of iTunes audio processing and substitutes Amarra’s own proprietary audio algorithms in its place. Currently the best and easiest way for a Mac-owning music-lover to optimize his iTunes playback experience is with the Amarra software package.Īmarra is a program that only works in conjunction with iTunes. But to achieve this ultimate level of fidelity requires not only state-of-the art hardware but also cutting-edge software. Computer-based digital audio has now advanced to where it competes sonically with traditional media. The Absolute Sound has never reviewed a piece of computer software.
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